Recreating Experience in Nigerian Fiction: Camillus Ukah’s Sweet Things and the Politics of its Production
DOI:
https://doi.org/10.25159/2663-6549/6356Keywords:
Creativity, Third generation, Experience, Recreation, Camillus UkahAbstract
This article contends that, in the same way as some postcolonial literature, the latter third generation Nigerian literature is a product of the writer’s experience. When the writer does not reproduce his sociopolitical experience, he reshapes his expectations into literature. The writer manipulates his experience into creative activity that fulfils his innate desire – this is the same desire which he is ordinarily unable to achieve in reality. This article argues further that even though the literature is a product of the writer’s experience, it is harmless and beneficent. Using Camillus Ukah’s Sweet Things as a representative text of the fiction produced by a latter third generation Nigerian literature writer, emphasis is made on the way in which Camillus Ukah has recreated his experience. It concludes that through the novel, Ukah expresses his bitterness towards a certain matrimonial experience that is of his particular concern.
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Accepted 2020-09-13
Published 2021-03-09