Review of the Post-apartheid Guernica Exhibition: A Commentary on the South African Condition

Authors

DOI:

https://doi.org/10.25159/2663-6565/10432

Keywords:

Guernica, post-apartheid, violence, democracy, South Africa

Abstract

Exhibition Review.

Metrics

Metrics Loading ...

References

Arendt, H. (1951) 2017. The Origins of Totalitarianism. New York, NY: Penguin Books.

Gqola, P. D. 2016. Rape: A South African Nightmare. Johannesburg: Jacana Media.

Gqola, P. D. 2021. Female Fear Factory. Johannesburg: NB Publishers.

Mamdani, M. 2021. Neither Settler nor Native: The Making and Unmaking of Permanent Minorities. Johannesburg: Wits University Press. https://doi.org/10.4159/9780674249998. DOI: https://doi.org/10.4159/9780674249998

Sithole, T. 2020. The Black Register. Cambridge: Polity Press.

Artworks

Feni, D. 1967. African Guernica. Charcoal on Paper, 226cm x 218cm. University of Fort Hare’s De Beers Art Gallery.

Khan, S. 2021. Post-apartheid Guernica. Mixed Media Exhibition. Johannesburg Art Gallery, 10 October 2021–30 January 2022.

Discography

Mbulu, L. (1993) 1996. Amakhamandela: Not Yet Uhuru. Columbia Records.

Downloads

Published

2022-05-22

How to Cite

Kumalo, Siseko. 2022. “Review of the Post-Apartheid Guernica Exhibition: A Commentary on the South African Condition”. Imbizo 13 (1):5 pages. https://doi.org/10.25159/2663-6565/10432.

Issue

Vol. 13 No. 1 (2022)

Section

Reviews
Crossref
Scopus
Google Scholar
Europe PMC