Iconographical Study and Semiotic Analysis of Princess Khnumet’s Diadem from the 12th Dynasty, Middle Kingdom

Marlene Meyer

doi:10.25159/2663-6573/16441

Authors

Marlene Meyer Student https://orcid.org/0000-0002-3873-5155

DOI:

https://doi.org/10.25159/2663-6573/16441

Keywords:

Khnumet, Middle Kingdom, diadem, Iconography, Twelfth Dynasty

Abstract

This study identifies unique aspects present in Princess Khnumet’s diadem through a hybrid approach incorporating Van Straten’s four-phase iconographic methodology and semiotics. Van Straten’s first phase identifies the materials, colours, and techniques that are present in Khnumet’s diadem. The second phase deals with the iconographic significance of the colours and motifs on the jewellery piece. The third phase discusses the use of iconographical themes to identify a theme that represented Khnumet’s diadem in its entirety. The fourth phase makes use of the historical, cultural, and social background of the Twelfth Dynasty, Middle Kingdom, to determine the influences that may have affected the design of the jewellery piece. Lastly, the discussion identifies how certain aspects were repeatedly present in Khnumet’s diadem, from which one can deduce how certain themes were predominantly selected. This study thus illustrates that the individual motifs are interconnected to the broader iconographical theme within a jewellery piece.

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