Music beyond Borders: A Comparative Study of Ujie and Abu-Ozu Musical Traditions of Southern Nigeria
DOI:
https://doi.org/10.25159/2663-6697/19692Keywords:
Ujie, dirges, burial processional music, music traditions, UjieAbu-OzuAbstract
This study examines the performance of a musical genre beyond a specific geographical territory. In doing this, it specifically studies the Ujie and Abu-Ozu (burial processional music) of Esan people of Edo State and people of Delta State of Nigeria. Using the ethnographic research design, data were collected through interviews, use of interlocutors, group discussion, and non-participant observation techniques. The elicited data were meticulously analysed through interpretive and descriptive approaches. The findings in this study show that traditional music in Nigerian societies often transcends ethnic and geo-political boundaries as a result of historical interactions, such as migration, trade, and intermarriage. The study suggests that Ujie musical practice may have found its way into the Enuani communities, thereby influencing the instrumental resources and performance practices associated with Abu-Ozu. The shared musical tradition of Esan and Enuani communities portends the potential for music to act as a cultural bridge, which transmits cultural values, expresses identity, and fosters unity. Consequently, it is noteworthy to posit that while cultural dynamism has resulted in the extinction of several music practices that existed in the past, some have also evolved into new forms. It is thus imperative to study and document the musical activities of the present in an effort to preserve their rich intangible cultural heritage.
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Accepted 2026-07-11
Published 2026-08-25
