MUSIC KNOWS NO BOUNDARIES: THE CASE OF MME RANGWATO MAGORO
DOI:
https://doi.org/10.25159/1016-8427/544Abstract
There is an apparent shift that challenges the so-called ‘established music fields’ to begin dialogue with African music perspectives. In the process of such dialogues and developments, there is a need to recast the importance of unmentioned, unsung and uncelebrated indigenous African music practitioners, composers, performers, poets, and praise singers. In this regard, musical arts education and its process cannot eschew broad educational challenges. The paper argues for the place of indigenous musical arts education experts in the current or mainstreamed musical arts processes. Mme Rangwato Magoro, from Malatane village in the greater Ga-Seloane community, is included as the main research collaborator in this brief piece of work.Downloads
Published
2015-11-02
How to Cite
Masoga, M A. 2015. “MUSIC KNOWS NO BOUNDARIES: THE CASE OF MME RANGWATO MAGORO”. Southern African Journal for Folklore Studies 25 (1). https://doi.org/10.25159/1016-8427/544.
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Received 2015-11-02
Accepted 2015-11-02
Published 2015-11-02
Accepted 2015-11-02
Published 2015-11-02