My Landskap Is Myne Verhard: A Topopoetics of Displacement in Ingrid Jonker’s Ontvlugting (1956) and Ek Dryf in die Wind (1966)

Authors

DOI:

https://doi.org/10.25159/2663-6565/5071

Keywords:

Ingrid Jonker; topopoetics; displacement; geocriticism

Abstract

This article conducts a stylistic analysis of the references to landscape in two of Ingrid Jonker’s poems: Ontvlugting (1956), and Ek Dryf in die Wind (1966). Through the lens of geocriticism, specifically topopoetics, descriptions of the landscape are read as narrative structures that have an affective function within the text. The article aims to demonstrate that these two poems evoke a sense of figural displacement, a feeling of disconnection or lack of belonging, which is established by specific toponyms and images of nature. By oscillating between an intimate attachment with the landscape on the one hand, and a stark affect of estrangement on the other, these poems both perform and embody the concept of displacement.

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Author Biography

Carlijn Cober, Radboud University Nijmegen

Carlijn Cober is a researchmaster student of Literary Studies (HLCS) at Radboud University Nijmegen, The Netherlands. Themes such as desire and embodiment in European, modernist prose and South-African poetry are close to her heart. She takes special interest in French phenomenology, (marginalized) female literary figures, and the affective quality of literature. She is currently in the process of writing her Master's thesis on the postcritical turn, Roland Barthes and the erotics of reading.

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Published

2019-08-20

How to Cite

Cober, Carlijn. 2018. “My Landskap Is Myne Verhard: A Topopoetics of Displacement in Ingrid Jonker’s Ontvlugting (1956) and Ek Dryf in Die Wind (1966)”. Imbizo 9 (2):17 pages. https://doi.org/10.25159/2663-6565/5071.

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Section

Articles
Received 2018-11-12
Accepted 2019-07-02
Published 2019-08-20