Vol. 9 No. 2 (2018)

Articles

• Dramatic Irony as an Intervention Strategy in Two Dholuo Films: Kalausi and The Cleansing

  Christopher Odhiambo, Loreen Maseno

  14 pages

  • PDF

• “Evil Women” and the Paradox of the “Mother Earth” in Lara Foot Newton’s Tshepang: The Third Testament

  Busuyi Mekusi

  14 pages

  • PDF

• Blackism and Pan-Africanism in Post-Colonial African Literature: A Reading of Femi Osofisan’s Plays

  Clement Olujide Ajidahun

  15 pages

  • PDF

• My Landskap Is Myne Verhard: A Topopoetics of Displacement in Ingrid Jonker’s Ontvlugting (1956) and Ek Dryf in die Wind (1966)

  Carlijn Cober

  17 pages

  • pdf

• Drama and Leader-Follower Symbiosis for Sustainable Development in Africa: Lessons from Paul Ugbede’s Our Son the Minister

  Marcellinus Aondohemba Asen, John Abutu Ejeh

  21 pages

  • pdf