Shakespeare as Biblical Performance Critic
DOI:
https://doi.org/10.25159/2309-5792/2762Keywords:
Bible text as script, Measure for Measure, Lazarus, festivity, Shakespeare, performance.Abstract
In this article I discuss a moment from Shakespeare’s Measure for Measure, which may be seen to present elements of Biblical Performance Criticism (BPC) techniques. I explore the revealing of Claudio in Act 5, Scene 1 as an example of Shakespeare’s appropriation of Biblical material for use in a stage play. I then examine the attitudes of some theologians and film-makers to the presentation of the raising of Lazarus and to comedic festivity. I suggest that Shakespeare’s use of Biblical material in his plays may afford insight for further exploration by and use in Biblical Performance Criticism.
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Published
2018-10-17
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Section
Performance Crtitisism and Scripture