The Production and Consumption of Cultural Villages in South Africa: A Decolonial Epistemic Perspective

Authors

  • Morgan Ndlovu University of South Africa

DOI:

https://doi.org/10.25159/0304-615X/2301

Keywords:

cultural villages, representation, tourism, neo-colonialism, postcolonial, de-colonial, capitalism, discourse, power

Abstract

While many of the peoples who exist in the 'spatio-temporal' construct known as the postcolonial world today are convinced that they have succeeded - through anticolonial and anti-imperial struggles - to defeat colonial domination, the majority of the people of the same part of the world have not yet reaped the freedoms which they aimed to achieve. The question that emerges out of the failure to realise the objectives of anti-colonial and anti-imperial struggles by the people of the Third World after a number of years of absence of juridical-administrative colonial and apartheid systems is to what extent did the people who sought to dethrone colonial domination understand the complexity of the colonial system? And to what end did the ability and/or inability to master the complexity of the colonial system affect the process of decolonization? Through the case study of the production and consumption of cultural villages in South Africa, this article deploys a de-colonial epistemic perspective to reveal, within the context of tourism studies, the complexity of the colonial system and why a truly decolonized postcolonial world has so far eluded the people of the developing world.

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Published

2017-03-10

How to Cite

Ndlovu, Morgan. 2017. “The Production and Consumption of Cultural Villages in South Africa: A Decolonial Epistemic Perspective”. Africanus: Journal of Development Studies 43 (2):51-63. https://doi.org/10.25159/0304-615X/2301.

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