(Dis)Continuities in Bond: A Bakhtinian Analysis of the 007 Films

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Abstract

Two distinctly Bakhtinian elements are relevant to understanding both continuities and discontinuities across the various James Bond films. Firstly, Bakhtin’s so-called “adventure-time” chronotope has been explicitly linked, in film criticism, to the 007 movie series, particularly in relation to the lack of character development in these movies. This article analyses how the latest cycle of Daniel Craig 007 movies show, on the contrary, clear elements of such development, linked in turn to the greater chronotopic complexity of this recent cycle. Secondly, carnivalesque motifs (casinos, circuses, carnivals per se) have been a feature of 007 movies since their inception. This article traces the (re)appearance of such motifs across the 24 films, as well as arguing for a broader carnivalesque significance to these films, linked in turn to their comic nature. The emphasis here is placed on continuities between the Daniel Craig cycle and earlier Bond films.

 

Opsomming

Twee duidelik Bakhitiaanse elemente is relevant om beide kontinuïteite en diskontinuïteite in verskeie James Bond-films te verstaan. Eerstens, Bakhtin se sogenaamde “avontuurtyd”-chronotoop word in filmkritiek uitdruklik aan die 007-filmreeks gekoppel, veral met betrekking tot die afwesigheid van karakterontwikkeling in hierdie films. Hierdie artikel ontleed hoe Daniel Craig se nuutste 007-siklus in teenstryd hiermee wys hoe duidelike elemente van sulke ontwikkeling op sy beurt aan die groter chronotopiese kompleksiteit van die onlangse siklus gekoppel kan word. Tweedens, “karnaval”-motiewe (casino’s, sirkusse, karnavalle per se) kenmerk die 007-films sedert hul ontstaan. Hierdie artikel speur die (her)verskyning van sulke motiewe in die 24 films na sowel as argumenteer ten gunste van ’n meer algemene belang van “karnaval” in hierdie films wat aan hul komiese karakter gekoppel kan word. Hier word klem geplaas op die kontinuïteite tussen die Daniel Craig-siklus en die vroeër Bond-films.

 

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Author Biographies

Philip van der Merwe, North-West University

Philip van der Merwe (PhD) is a senior lecturer in the School of Languages in the Subject Group: German at the North-West University. He teaches German literature as well as German as a foreign language. His research interests include 20th century and 21st century fiction, literary theory, narratology and comparative literature. He has published on the fiction of E.L. Doctorow and Hans-Ulrich Treichel. Recent publications include “Die Romantik der “zweiten Kindheit” in Hans-Ulrich Treichels Endlich Berliner! (2011)” in Berlin: Bilder einer Metropole in erzählenden Medien für Kinder und Jugendliche (2018) and “E.L. Doctorow’s Fictional Autobiography: World’s Fair (1985) as a Carnivalesque Bildungsroman” (2015).

Ian Bekker, North-West University

Prof Ian Bekker spends most of his time conducting research in linguistics, with a focus on the South African English accent. Working in the English Department of the Potchefstroom Campus of the North-West University has, however, meant increasing contact with and interest in matters literary. He has a particular fascination with the linguistic and literary theories of Mikhail Bakhtin as well as a number of South African English authors, especially Herman Charles Bosman. 

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Published

2018-09-01

How to Cite

van der Merwe, Philip, and Ian Bekker. 2018. “(Dis)Continuities in Bond: A Bakhtinian Analysis of the 007 Films”. Journal of Literary Studies 34 (3):16-30. https://unisapressjournals.co.za/index.php/jls/article/view/11684.

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