Between the Kafkaesque and the Grotesque: The Monstrous Idea of South Africa in Fred Khumalo’s Histriographic Metafiction

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Abstract

In its insistence on the allegorical frame of South African transformations that attend the disfigured stature of a hero into a cauldron of Kafkaesque sterility and grotesque existence, this paper draws parallels between Gregor Samsa’s bizarre hidden away condition and awkwardness of South Africa’s insularity and exceptionalism. In arguing for an integrated idea of South Africa, on the basis of Mandela’s pluriversalism, it offers a retrieval of South Africa’s simultaneous worldliness and Africanness, further to provide a decolonial critique of what counts as a place called South Africa from an ontological perspective of what Lewis R. Gordon in the fashion of Frantz Fanon calls a zone of “being and non-being” (2005). However, it adds two further dimensions: the immanent conditions of becoming South Africa(n) and the drives that define the agency of attaining ontological totality for putative citizens and denizens in South Africa.

 

Opsomming

Hierdie referaat toon – in sy aandrang op die allegoriese raam van die Suid-Afrikaanse transformasies wat die misvormde gestalte van ’n held vergesel tot in ’n kookpot van Kafkaeske steriliteit en groteske bestaan – parallelle aan tussen Gregor Samsa se bisarre verskuilde toestand en die onbeholpenheid van  Suid-Afrika se afgeslotenheid en eksepsionalisme. In sy pleidooi vir ’n geïntegreerde idee van Suid-Afrika op die grondslag van Mandela se pluriversalisme bied die referaat ’n herwinning van Suid-Afrika se gelyktydige “wêrelds wees” en “Afrika wees”. Dit voorsien ook ’n dekoloniale kritiek op wat as ’n plek genaamd Suid-Afrika gereken word vanuit ’n ontologiese perspektief van wat Lewis R. Gordon op die spoor van Frantz Fanon noem ’n gebied van “syn en nie-syn” (2005). Twee verdere dimensies word egter toegevoeg: die immanente voorwaardes om Suid-Afrika(ans) te kan word, en die dryfkragte wat die werksaamheid van die bereiking van ontologiese totaliteit definieer vir vermeende burgers en inwoners van Suid-Afrika.

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Author Biography

Kgomotso M. Masemola, University of South Africa

Prof  Kgomotso Michael Masemola is the 2014 Recipient of the Unisa Chairperson of Council’s Excellence Awards. Besides publishing the edited volume Strategies of Representation in Auto/Biography (Basingstoke: Palgrave Macmillan) in May 2014, he has also published in the Web of Science  Journal of African Cultural Studies, Vol. 24(1), 2012 on the Worldliness of the Wilderness text, as well as on the nomos of memory in Mandela’s Long Walk to Freedom in Critical African Studies, Vol. 5, (2), 2013, thus adding to locally published accredited articles, amongst others, on Barack Obama’s Complicated Memory of Obama’s “Middle Ground” Rhetoric of Colorblindedness versus the reality of “Stand Your Ground” policing in African Journal for Rhetoric, Vol 6 (2014); “Fixing the hiatus between the habitus of memory and nostalgia” in Scrutiny2, Vol 17(2) 2012; onBetween Tinseltown and Sophiatown” in  Journal of Literary Studies Volume 27(1) 2011; on “T/Races of Terrorism Beyond Ports of Entry” (with P.M. Chaka as 2nd Author) in, Social Dynamics, 37(1), 2011; on “Lack, Law & Desire” in the Journal of Literary Studies, 26(1), 2010; and a Chapter on “Transmogrifying the Traumatic into the Democratic Ideal”  in Singh, J. & Chetty, R. (eds) Trauma, Resistance, Reconstruction in Post-1994 South African Writing(New York & Oxford: Peter Lang Publishers, 2010). He is also a contributing author of a chapter in The Oxford History of the Novel in English (2015), as well as to the Routledge Encyclopedia on Modernity (2015).

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Published

2015-09-01

How to Cite

Masemola, Kgomotso M. 2015. “Between the Kafkaesque and the Grotesque: The Monstrous Idea of South Africa in Fred Khumalo’s Histriographic Metafiction”. Journal of Literary Studies 31 (3):16-29. https://unisapressjournals.co.za/index.php/jls/article/view/12273.

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