“I Felt Misunderstood by the World”: The Interplay of Fame, Adversity, and Identity in Bonnie (Mbuli) Henna’s Autobiography Eyebags & Dimples

Authors

DOI:

https://doi.org/10.25159/1753-5387/16081

Keywords:

Bonnie Henna, fame, celebrity autobiography, identity, memory, South African life-writing

Abstract

Bonnie (Mbuli) Henna’s autobiography, Eyebags & Dimples (2012), navigates the intricate and multifaceted interplay between fame, adversity, and identity in a uniquely South African post-colonial context. Through an ‘interested’ (re)memorialisation of her journey of becoming a black female celebrity, Henna unveils the complexities of becoming and being a celebrity in a transitioning society marked by pervasive historical legacies of institutionalised disadvantage, shifting notions of gender, and agency. Focusing on what is remembered and how it is remembered for specific aesthetic and perspectival effects, this article examines Henna’s identity project in Eyebags & Dimples. It explores how autobiographical memory in the text becomes, for Henna, a technology of the self she implements to grapple with profound internal struggles inhabiting her (celebrity) identity. Deploying theories of self-writing and memory, the article centres on Henna’s portrayal of adversity – its past location in the colonial home and township and its persistence in family relations – to understand the nature of memory-assisted self-(re)identification processes. The article argues that adversity emerges in Eyebags & Dimples as a transformative force that allows Henna to inscribe history, race, mental health, and family onto her consciousness of being famous. Within this context, Henna’s celebrity identity is completed as re-formed through the narrative stabilisation of the tension between her public fame and personal struggles.

Metrics

Metrics Loading ...

Author Biography

Nonki Motahane, University of the Free State

Nonki Motahane (PhD) teaches literary studies in the Department of English at the University of the Free State, South Africa. Her research focuses on South African and African literature, African mobilities in literature as well as space and identity formation.

References

Barlow, David H. 2018. Vincent Mark Durand, and Stefan G. Hofmann. Abnormal Psychology: An Integrative Approach. Boston: Cengage Learning.

Beck, Aaron T. 1967. Depression: Clinical, Experimental, and Theoretical Aspects. Philadelphia: University of Pennsylvania Press.

Bickhard, Mark H. 1992. How Does the Environment Affect the Person. Children’s Development within Social Contexts: Metatheory and Theory 2 (1): 63–92.

Bluck, Susan. 2003. “Autobiographical Memory: Exploring its Functions in Everyday Life.” Memory 11 (2): 113–123. https://doi.org/10.1080/741938206 DOI: https://doi.org/10.1080/741938206

Cashmore, Ellis, and Andrew, Parker. 2003. "One David Beckham? Celebrity, masculinity, and the soccerati." Sociology of sport journal 20 (3): 214-231.https://doi.org/10.1123/ssj.20.3.214 DOI: https://doi.org/10.1123/ssj.20.3.214

Cohler, Bertram J. 1991. “The Life Story and the Study of Resilience and Response to Adversity.” Journal of Narrative and Life History 1 (2–3): 169–200. https://doi.org/10.1075/jnlh.1.2-3.06lif DOI: https://doi.org/10.1075/jnlh.1.2-3.06lif

Douglas, Kate. 1974. Contesting Childhood: Autobiography, Trauma and Memory. London: Rutgers University Press.

Gready, Paul. 1993. “Autobiography and the ‘Power of Writing’: Political Prison Writing in the Apartheid Era.” Journal of Southern African Studies 19 (3): 489–523. https://doi.org/10.1080/03057079308708371 DOI: https://doi.org/10.1080/03057079308708371

Hall, Stuart. 1997. “Old and New Identities, Old and New Ethnicities”. In Culture, Globalization and the World-System, ed. Anthony King. Minneapolis: University of Minnesota Press. https://doi.org/10.1007/978-1-349-11902-8_3 DOI: https://doi.org/10.1007/978-1-349-11902-8_3

Holmes, Rachel. 2009. “Theatre of the Self: Autobiography as Performance.” International Journal of Qualitative Studies in Education 22 (4): 399–416. https://doi.org/10.1080/09518390802541194 DOI: https://doi.org/10.1080/09518390802541194

Henna, Bonnie. 2012. Eyebags & Dimples. Johannesburg: Jacana Media.

Jackson, Sue, and Tiina Vares. 2015. “‘Too Many Bad Role Models for Us Girls’: Girls, Female Pop Celebrities and ‘Sexualization.’” Sexualities 18 (4): 480–498. https://doi.org/10.1177/1363460714550905 DOI: https://doi.org/10.1177/1363460714550905

Javangwe, Tasiyana D. 2011. “Contesting Narratives: Constructions of the Self and the Nation in Zimbabwean Political Auto/Biography.” PhD diss., University of South Africa.

Javangwe, Tasiyana D. 2016. “Mythicized Selves: Constructions of Political Self-Identities in Joshua Nkomo’s The Story of My Life (1984) and Edgar Zivanai Tekere’s A Lifetime of Struggle (2007).” African Identities 14 (1): 74–84. https://doi.org/10.1080/14725843.2015.1102704 DOI: https://doi.org/10.1080/14725843.2015.1102704

Lara, Maria P. 1998. Moral Textures: Feminist Narratives in the Public Sphere. Berkely: University of California Press.

Lee, Katja. 2015. “Women's Celebrity in Canada: Contexts and Memoirs, 1908–2011.” PhD diss., McMaster University.

Lloyd, Genevieve. 1986. “The Self as Fiction: Philosophy and Autobiography." Philosophy and Literature 10 (2): 168–185. https://doi.org/10.1353/phl.1986.0030 DOI: https://doi.org/10.1353/phl.1986.0030

Mandela, Nelson. 1995. Long Walk to Freedom: The Autobiography of Nelson Mandela. London: Abacus.

Marshall, David P. 2010. Celebrity and Power: Fame in Contemporary Culture. Minneapolis: University of Minnesota Press.

Ndlovu, Isaac. 2010. “An Examination of Prison, Criminality and Power in Selected Contemporary Kenyan and South African Narratives.” PhD diss., Stellenbosch: University of Stellenbosch.

Ndlovu, Isaac. 2012. “Prison and Solitary Confinement: Conditions and Limits of the Autobiographical Self.” English Studies in Africa 55 (1): 16–34. https://doi.org/10.1080/00138398.2012.682461 DOI: https://doi.org/10.1080/00138398.2012.682461

Patrick, Stephanie. 2022. Celebrity and New Media: Gatekeeping Success. New York: Routledge. https://doi.org/10.4324/9781003268659 DOI: https://doi.org/10.4324/9781003268659

Smith, Sidonie, and Julia Watson. 2010. Reading Autobiography: A Guide for Interpreting Life Narratives. Minnesota: University of Minnesota Press.

Thompson, Becky, and Sangeeta Tyagi. 2013. Names We Call Home: Autobiography on Racial Identity. New York: Routledge. https://doi.org/10.4324/9780203724187 DOI: https://doi.org/10.4324/9780203724187

Whitehead, Anne. 2008. Memory. New York: Routledge. https://doi.org/10.4324/9780203888049 DOI: https://doi.org/10.4324/9780203888049

Williamson, Milly. 2010. "Female Celebrities and the Media: the Gendered Denigration of the ‘Ordinary’ Celebrity." Celebrity Studies 1 (1): 118–120. https://doi.org/10.1080/19392390903519149 DOI: https://doi.org/10.1080/19392390903519149

Downloads

Published

2024-05-31

How to Cite

Motahane, Nonki, and Oliver Nyambi. 2024. “‘I Felt Misunderstood by the World’: The Interplay of Fame, Adversity, and Identity in Bonnie (Mbuli) Henna’s Autobiography Eyebags & Dimples”. Journal of Literary Studies 40 (1):17 pages. https://doi.org/10.25159/1753-5387/16081.
Received 2024-02-19
Accepted 2024-04-19
Published 2024-05-31