"Local is Lekker": Or Why the New South African Parochialism Will Not Go
Abstract
Based upon brief comparisons with other literatures, the article examines the current debates on South African literature, isolating four symptoms which seem to indicate national self-assertion via the high road of literature. These are the pride taken in locally produced artefacts; an increasing "cross-over" and mingling of different languages which make any quests for purity of language a risky business, challenging control over dominant discursive formations; the attempt to find an "authentic" South African voice in literature, and, finally, a questioning of hitherto accepted critical traditions and boundaries. But although the intense focus upon the local seems both necessary and fruitful at this particular juncture in South African political history, the birthpangs of an emerging literature ought not to blind its practitioners into becoming parochial by cutting themselves off from the international debate.
Opsomming
Uitgaande van 'n kort vergelyking met ander literature as basis, word die huidige debatte in Suid-Afrikaanse letterkunde in hierdie artiket ondersoek aan die hand van vier losstaande simptome, wat oenskynlik dui op nasionate selfhandhawing via die verhewe weg van die literatuur. Hierdie simptome behels 'n trots op ptaaslik vervaardigde kunswerke; 'n toenemende "ineenvloeiing" en vermenging van verskillende tale, wat enige soeke na taalsuiwerheid 'n riskante onderneming maak, omdat die beheer oor dominante diskursiewe formasies uitgedaag word; die poging om 'n "outentieke" Suid-Afrikaanse stem in die letterkunde te vind; en, uiteindelik, 'n bevraagtekening van tot hiertoe aanvaarde kritiese tradisies en grense. Maar alhoewel die intense fokus op die plaaslike skynbaar tegelyk nodig en vrugbaar is op hierdie bepaalde tydstip in die Suid-Afrikaanse politieke geskiedenis, behoort die geboortepyne van 'n opkomende literatuur nie die beoefenaars daarvan te verblind om parogiaal te raak deur hulle afsnyding van die internasionale debat nie.
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Copyright (c) 1991 Reingard Nethersole

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