Vol. 15 No. 1/2 (1999): American Studies: Margins, Middles and Metropoles

Published: 1999-06-01

Articles

"Serious Gourmet Shit": Quentin Tarantino' s Pulp Fiction

Eve Bertelsen

25 pages
- PDF
From the Globe to Globalisation: Shakespeare and Disney in the Postmodern World

David Schalkwyk

33 pages
- PDF
Digitally Remythicised: Star Wars, Modem Popular Mythology, and Madam and Eve

Jessica Tiffin

15 pages
- PDF
Genres of Death and the Death of Genres: Eschatological Critiques of Science Fiction and Fantasy in Michael Swanwick's A Geography of Unknown Lands

Nicholas Gevers

13 pages
- PDF
Happy Endings: The Story of Twin Peaks

Gabeba Baderoon

14 pages
- PDF
The Power of Romance and the Gatsby-Wolfshiem "Gonnegtion"

Michael Beatty

11 pages
- PDF
Tradition and Narrative Form in Leslie Marmon Silko' s Ceremony

Claire Keyes

13 pages
- PDF
"Scheherazade, c 'est moi" : Narrativist Mimesis and the Principle of Metaphoric Means in John Barth

Loes Nas

14 pages
- PDF
Language and Cultural Authority in Toni Morrison's Jazz

Jeffery Folks

14 pages
- PDF
Samuel Delany Writes Difference: Desire and Style in Stars in my Pocket like Grains of Sand

Deirdre Byrne

16 pages
- PDF
"If I were Her" - Fictions of Development from Cape Town, Canada and the Caribbean: A Relational Reading

Miki Flockemann

19 pages
- PDF
Kneeling before the Fathers' Wand: Violence, Eroticism and Paternalism in Thomas Pynchon's V. and J.M. Coetzee's Dusklands

Derek Maus

23 pages
- PDF
Queer Identity and Racial Alienation: The Politics of Race and Sexuality in James Baldwin and in the "New" South Africa

William Spurlin

20 pages
- PDF
"State of the Union": The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910

Peter Merrington

26 pages
- PDF
The "Idea of Africa" and the Business of Blackness: South Africa's Transatlantic Connections

Pairta D. Russel

14 pages
- PDF

Editorial

Introduction

Loes Nas, Lesley Marx

7 pages
- PDF

Vol. 15 No. 1/2 (1999): American Studies: Margins, Middles and Metropoles

Articles

"Serious Gourmet Shit": Quentin Tarantino' s Pulp Fiction

From the Globe to Globalisation: Shakespeare and Disney in the Postmodern World

Digitally Remythicised: Star Wars, Modem Popular Mythology, and Madam and Eve

Genres of Death and the Death of Genres: Eschatological Critiques of Science Fiction and Fantasy in Michael Swanwick's A Geography of Unknown Lands

Happy Endings: The Story of Twin Peaks

The Power of Romance and the Gatsby-Wolfshiem "Gonnegtion"

Tradition and Narrative Form in Leslie Marmon Silko' s Ceremony

"Scheherazade, c 'est moi" : Narrativist Mimesis and the Principle of Metaphoric Means in John Barth

Language and Cultural Authority in Toni Morrison's Jazz

Samuel Delany Writes Difference: Desire and Style in Stars in my Pocket like Grains of Sand

"If I were Her" - Fictions of Development from Cape Town, Canada and the Caribbean: A Relational Reading

Kneeling before the Fathers' Wand: Violence, Eroticism and Paternalism in Thomas Pynchon's V. and J.M. Coetzee's Dusklands

Queer Identity and Racial Alienation: The Politics of Race and Sexuality in James Baldwin and in the "New" South Africa

"State of the Union": The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910

The "Idea of Africa" and the Business of Blackness: South Africa's Transatlantic Connections

Editorial

Introduction

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