Vol. 33 No. 2 (2017)

Articles

• Cape Town, its Musical Spatiality and Apartheid: The Case of Zayn Adam, Richard Jon Smith and Jonathan Butler

  Harry Sewlall

  1-17

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• The Representation of Fukuyama’s Pathways to a Posthuman Future in Brave New World and Never Let Me Go

  Sharareh Kashi, Zahra Jannessari Ladani

  18-34

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• Bollywood Cinema: A Transnational/Cultural Role

  Asma Ayob, Marisa Keuris

  35-58

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• “Computer Cowboys” and “Ass-kicking Techno-babes” Challenging Cyberpunk’s Conventional Representations of Gender and Sexuality in the Futuristic Digital World of Moxyland

  Robyn Wilkinson, Cheryl Stobie

  59-77

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• Introduction: African and Diasporan Poetry

  Maurice Taonezvi Vambe, Rangarirai Alfred Musvoto

  78-81

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• Uneasy Double Attachment: Homeland and Exile in Olu Oguibe’s A Gathering Fear

  Senayon Olaoluwa Olaoluwa

  82-108

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• Moving Beyond Protest Sensibility: Chenjerai Hove’s Love and Other Ghosts (2009)

  Maurice Vambe

  109-127

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• Representations of Identity, History and Nationalism in Chenjerai Hove’s Selected Poetry

  Rangarirai A. Musvoto

  128-145

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• Penyai’s Vision of the School and Education in Selected Poetry in Nhekwe Dziri Kanyi (2011)

  Godwin Makaudze, Isaac Mhute

  146-158

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