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Vol. 33 No. 2 (2017)
Vol. 33 No. 2 (2017)
Published:
2017-06-01
Articles
Cape Town, its Musical Spatiality and Apartheid: The Case of Zayn Adam, Richard Jon Smith and Jonathan Butler
Harry Sewlall
1-17
PDF
The Representation of Fukuyama’s Pathways to a Posthuman Future in Brave New World and Never Let Me Go
Sharareh Kashi, Zahra Jannessari Ladani
18-34
PDF
Bollywood Cinema: A Transnational/Cultural Role
Asma Ayob, Marisa Keuris
35-58
PDF
“Computer Cowboys” and “Ass-kicking Techno-babes” Challenging Cyberpunk’s Conventional Representations of Gender and Sexuality in the Futuristic Digital World of Moxyland
Robyn Wilkinson, Cheryl Stobie
59-77
PDF
Introduction: African and Diasporan Poetry
Maurice Taonezvi Vambe, Rangarirai Alfred Musvoto
78-81
PDF
Uneasy Double Attachment: Homeland and Exile in Olu Oguibe’s A Gathering Fear
Senayon Olaoluwa Olaoluwa
82-108
PDF
Moving Beyond Protest Sensibility: Chenjerai Hove’s Love and Other Ghosts (2009)
Maurice Vambe
109-127
PDF
Representations of Identity, History and Nationalism in Chenjerai Hove’s Selected Poetry
Rangarirai A. Musvoto
128-145
PDF
Penyai’s Vision of the School and Education in Selected Poetry in Nhekwe Dziri Kanyi (2011)
Godwin Makaudze, Isaac Mhute
146-158
PDF
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